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The keyboard itself is four octaves of mini keys.In addition to the fantastic synth section, the 480 offers the type of accompaniment features characteristic of the PortaSound line, offering bassline and chord accompaniment in various styles and patterns.Synth parameters can be edited with precision, but only one at a time.The Synth section offers a depth of control that allows for smooth, refined sounds, as well as the glitchy, noisy stuff you'd expect from a strange cheap little digital synth.Based on the same architecture as the PSS-470, the 480 offers intimate command of the sound, while sacrificing some playability by comparison.The synth section packs more than enough polyphony for two hands, but doesn't offer a monophonic or unison mode.Compared with the 470's silly yet tight percussion sounds, they're low-fi to the point of sounding broken.
It's not exactly FM synthesis, but it's close.
Textured sci-fi bass, reedy pads, blistering vocal-sounding leads, smooth swells.
There's just enough control over the accompaniment section, and just enough variety, to make it useful for auditioning ideas or even for recording, as long as the percussion is left out.